interesting for the sound synthesist, well to me anyway 🙂
- so I thought I'd pass it on.
these things help me understand how to produce 'musical' synths that go beyond the old 3 osc vcf vca mentality toward something that is not fully 'modelled' but takes inspiration from the real world.
I have another link about how the bridge of a sitar modifies the sound / wave shape at the end of a cycle, well actually it is a guide to ruining your sitar bridge - but still informative to synthesists I think
http://www.buckinghammusic.com/sitar/sittut/jaw.html
I play sitar and had to tinker with my Jawari myself recently.
The Sound Scientist ·
This is some cool stuff!! I play the violin and let me tell you it sure is hard... I've had an idea for some time of making a hybrid synth..What I mean by this is I'd like to take my regular wav files of me playing the violin and mix them with a synthesized waveform...Basically you'd be able to adjust the vol of the two signals independently and furthermore mutate the signals... I think this would offer endless possibilities of full,unique sounding strings.... My synthesis knowledge needs some advancement but I'm on my way quickly...
Let me know if this sounds like a good idea... Peace and Science
I'd like to see more articles on how to simulate symphonic strings!!! 😉
Thanx!!!
Tom7777 ·
I'd like to see more articles on how to simulate symphonic strings!!! 😉
This link is easily understood for me.... Some of the other links only give me a partial understanding of how to create a complex synthesis engine..I found this one to be the most interesting to me at the moment...There are certain orders to things that I have not thought of prior to reading this...I hope you guys find this helpful or usefull... Peace and Science ... ,Trying to make a realistic synthesized violin, cello, viola, sure is hard!!!!!! 😕
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