From the original SynthMaker forum (2004–2014), with its members’ names and dates.
Chaoslala ·
I Make a long time to find this, but it's really simple: the reverse delay:
streamin in; streamout out; streamin delay; float mem[441000]; float index; float a;
stage(2) { out = mem[a]; }
stage(3) { mem[index] = in; index = index + 1; index = (index<delay)&index; a=(delay-index); }
RunBeerRun2 ·
Whoa killer! I'll try it out later.
Chaoslala ·
He could sound good, but could also make bad distortion or crack.. I don't know if it's the better solution but this is what i do to prevent those problems:
I use a compressor and a low volume before the delay. One another compressor after the delay. And the feedback returns from this segond compressor.
It was not enough in some special case, so i make a special eq that cut the +-(2k-4k) frequency where the cracks occurs. Then i make another eq that let only pass those 2k-4k frequency with low volume with a little overdrive after it.. To give back some treeble.. And it sound very good ! Use a phase reverse before the delay and in the feedback loop could help too.
I suppose there's another way to do this...
Chaoslala ·
Now i try to make the delay works more like a sampler that could rec and play when triggered. Like this: " streamin in; streamout out; streamin rec;
float mem[882000]; float index;
stage(2) { out = mem[index]; }
stage(3) { mem[index] = in; index = index + rec; index = (rec>0)&index; } When rec is 1 it store the delay. if rec is 0 he stop to rec. When rec is 1 again he play and store another input.. I'm so happy for this simple thing ! But there's a lot to do to make it better !
Wrote something here? To have a post removed or your name hidden, write to [email protected].
SynthMaker